Conferences and Presentations

Nov 2009 The Network as a Space and Medium for Collaborative Interdisciplinary Art Practice, University of Bergen, Norway
August 2009 ISEA, the 15th International Symposium of Electronic Art, Belfast, Ireland- link to paper
Oct. 2008 The Art of Research: Research Narratives Practice–based research doctoral/post-doctoral exhibition and symposium, Chelsea College of Art and Design, London
Sept. 2008 Electronic Literature in Europe, University of Bergen, Norway
Feb. 2008 Questions on Digital Poetry, University of Paris, Paris, France
May 2007 e-Poetry Conference 2007, University of Paris, Paris, France
Oct 2006 Tate Modern, e-eye: art and poetry between the electronic and the visual (blog with participants and essays)
August 2006 ISEA 2006 , 13th International Symposium of Electronic Arts, San Jose, California, USA.

May 2006 LANGUAGE, CULTURE and TECHNOLOGIES Conference at Kaunas University of Technology, Kaunas, Lithuania- link to paper
January 2006 School of Visual Arts, Contemporary Voices in the MFA computer Arts, New YOrk, USA
Oct. 2005 Arts, Environment and the Digital Media in east London, Creative Network, The Digital Guild and Free Form, Hothouse, London
Nov. 2005 e-Poetry Conference 2005, Birkbeck University of London, Malet Street WC1E 7HX, London
August 2005 SMARTlab open seminars, Auto-calligraphy, University of the Arts, London
June 2005 SIAL Sound Laboratory RMIT, Melbourne, Australia
June 2005 IDEA Lab, Melbourne University, Melbourne, Australia

7-8 Feb. 2004 ARCO - I International Conference in Visual Studies, Madrid, Spain.
27-28 9/2003 Digital Surface: Approaches to current research in contemporary art practice, TATE Britain. A collaborative practice-based project between the London Institute, England, The National College of Art & Design, Dublin and the University of Art &Design, Helsinki with the support of Culture 2000 programme of the European Union. TATE Britain, London.
April 2003 CADE Conference, The Language of Image, Sound, Text in New Media Art, Hull School of Art and Design.
April 2003 NJIT (New Jersey Institute of Technology) New Media Performance Series, USA.
April 2003 e-poetry festival 2003, West Virginia University, USA.
Jan. 2003 Digital Surface, University of Art and Design, Helsinki, Finland.
Jan. 2003 Media Centre, Helsinki, Finland.
Nov 2002 IV Jornadas de Arte y Multimedia, CaixaForum, Mediateca, Generating Chirography, Barcelona, Spain.
Aug. 2002 RMIT, (Royal Institute of Art and Technology) Melbourne, Australia
Aug. 2002 BEAP Biennial of Electronic Arts, CAiiA-STAR CONSCIOUSNESS REFRAMED IV, ON-OFF LINE: Another Kind of Language, Perth, Australia.
July 2002 Radical (Research Agendas developed in Creative Arts Labs)SMARTlab Centre & Central St. Martins College of Art & Design, London.
April 2002 La Huella Multiple, Birds Singing other Birds' Songs, Havana, Cuba.
Feb. 2002 The London Institute Research Symposium, London.
Nov. 2001 Settings conference, Kent Institute of Art & Design, Kent.
October 2001 Vocaleyes, Showcase 1, Chelsea Millbank, London.
April 2001 CADE Conference, Poster presentation, Glasgow.
March 2001 Vocaleyes, Seminar in Semiotic Concepts for Practice-Based Research, Camberwell College of Arts, London.
August 2000 Consciousness Reframed Conference, CAiiA (Centre for Advance Inquiry in the Interactive Arts) Newport, Wales.

Published Papers and Translations


Mencia M. in Artists with Phds: On the new Doctoral Degree Studio Art, (2009) ed James Elkins, New Academia Publishing, USA.
Mencía M. in (April 2005) Printed Project Issue 4: The New Phd in Studio Art Curator / ed: James Elkins.
Mencía M. (2004) "Exclusively" visual or "exclusively" linguistic? The in-between Image-Sound-Text
Mencía M. (2003) The Language of Image, Sound, Text in New Media Art. In CADE Conference Proceedings, Hull School of Art and Design.
Mencía M. (July 2003 issue) Research@chelsea, Image-Sound-Text: The Multiplicity of Forms.
Mencía M. (2002)
Generating Chirography. mediatecaonline CaixaForum, Barcelona, Spain
Mencía M. (2002) Generating Chirography. Digital Surface within Fine Art Practice. National College of Art and Design Dublin in association with The London Institute and University of Art and Design, Helsinki. With support of the Culture 2000 programme of the European Union and Tate Britian. CDROM produced by Leah Hilliard.
Mencía M. (2002) ON-OFF LINE: Another Kind of Language. Punt M. ed. Consciousness Reframed: Non local, non-linear,non-ordinary. Conference Proceedings. Perth, Australia: CAiiA-STAR & BEAP 2002. CD ROM
Mencía M. (2001) Can you repeat, please? A chronology of mis-understandings/mis-readings/mis-hearings …In Interrogating the Surface exhibition CD ROM
Mencía M. trans.(May 1999) Cuban art exhibition catalogue: Trabajando P’al Inglé by Orlando Hernandez. Translation (Spanish into English)
Mencía M. trans. (March 1995) Exchanging Values by Juan Vicente Aliaga on Cildo Meireles .Art Magazine Frieze. Translation (Spanish into English)

Reviews, Articles, Essays, Critiques

Funkhouser C. T. (2007) Prehistoric Digital Poetry, Archeology of Forms, 1959-1995, Tuscaloosa: University of Alabama Press.
Hayles N. Katherine, (2008) Electronic Literature: New Horizons for the Literary (Ward-Phillips Lectures in English Language & Literature), University of Notre Dame Press.
Hayles N. Katherine, Intermediation: The Pursuit of a Vision New Literary History - Volume 38, Number 1, Winter 2007, pp. 99-125
Hayles N. Katherine, (Oct 2006) discusses work at Tate Modern, e-eye: art and poetry between the electronic and the visual. The Dynamics of Appearance
Hayles N. Katherine, Literature and the Literary: Why Electronic Literature is Key to Their Future on Morris A. & Swiss T. eds. (2006) New Media Poetics : Contexts, Technotexts, and Theories, Cambridge, Mass.; London: MIT Press.
Scott Rettberg, Dada Redux: Elements of Dadaist Practice in Contemporary Electronic Literature, in Fibre Culture, Issue 11-digital arts and culture conference (perth issue)
Wright Tim, Word magic: the how of reading April-May 2007 Realtime 78 magazine, on the electronic literature collection.
Warn Emily, Harriet is Reading You on Poetry Foundation